RaMell Ross’ film ‘Nickel Boys’ is nominated for Best picture. His 2018 documentary is an attempt to express Black life and history as dynamic and vital.

“Pan’s Labyrinth” embodies the core tension of Catholic life: the push and pull between the eternal and the worldly.

Is it a cop-out to honor David Lynch by reflecting on his least Lynchian film?

“Juror #2” confronts us with an uncomfortable reality: following your conscience often comes at great personal cost.

That idea of “keeping Christmas” is an invitation and a challenge to consider what Christmas really means to us.

We have all heard that “blessed are those who have not seen and have believed.” “Miracle on 34th Street” suggests that we must believe in order to see.