The show presents a radical, eminently Catholic conviction: that men and women in jail are not “convicts,” but human beings on the same journey of sin, mercy and redemption.

Reading the Divine Comedy together provides an occasion to re-envision God’s grace, to cultivate our desire and duty to help one another.

In 'The Five Wounds,' Kirstin Valdez Quade depicts a family in which each member embodies human weaknesses yet remains worthy of love. Each finds they are stronger together than any of them is alone.

The show’s true subject is nothing less than spiritual sickness, fueled by the existential dread of folks with no material wants who nevertheless don’t know what to do with their lives or how to spend them happily with each other.

Like it or not, Kanye is our Wagner—a master architect of pure spectacle and a man whose unhinged brilliance confronts us all.

In “9 Circles,” Bill Cain, S.J., challenges us to do the hard work of balancing empathy with accountability, recognizing that in war we are all responsible for what is done in our name.