A Christie parody for Trump’s America, where the embodiment of chastising justice isn’t the detective but the scapegoat, is a strange, potentially powerful concept.

The new film from Terrence Malick tells the dramatic story of the Austrian farmer turned conscientious objector Franz Jägerstätter.

It's not every day that a documentary film director gets a congratulatory phone call from legendary filmmaker Ken Burns. But that's what happened in mid-October for Elizabeth Coffman, an associate professor of film and digital media at Loyola University Chicago, who got a call from a New Hampshire area code while she was teaching class.

Pasolini called “Salò” his first film “about the modern world.”

In Ari Aster’s “Midsommar,” the devil is not an ugly monster hiding in the shadows—he is in the daylight, dressed in a white robe and a crown of flowers.

Here are eight films in which Catholic horror speaks in less familiar accents, films I have never seen on other Catholic horror lists.